Tuesday, April 24, 2018

Angel Detective: Naming Jacob -- Alpine 9 or Bike

    Angel Detective: Naming Jacob
Jacob Malewitz
in coffee and heroes, 2 - 24
1st Draft 8/29/07
2nd draft 9/1/07
3rd draft 11.15.08

The end of time for an angel was Babylon. Here angels were first seen. Here angels were first killed. Some detectives find interest in these times, the roaming bands of tribes around the heart of western civilization.
Angel detectives. They were called Angel Detectives.
If there was a beginning, it was the gate that did not work, the city where the Hanging Gardens rose, and a time of movement for angels and detectives alike.

“I call it a job casualty.”
“This is no time for jokes, Jacob. We know little of this thing.” Richard tried to read the gate, but could not make out the language. All he could tell was this was a language without a key or way to translate. He could not decipher the fact he was reading a demonic language created by a people he did know of, the Hittites.
“Jokes allow me to live. Call them what you will, but please don’t laugh at them.” Troubled, Jacob looked back to the gate, and then to Azrael. Archangel of God … once, but that is another story.
“I say,” Jacob said looking at Azrael, “we find angels using angels.”
“What did I just say? Something wrong is going on here. We cannot afford to lose another man. We must first find out what happened to Quentin.”
Jacob bit into his nails, his breathing increasing for he wanted a cigarette, his eyes narrowing and roaming. Bored. Time was crucial to this angel detective.
“And what does Azrael think?”
“God would be angry.”
“He’s always angry. What do you think?”
Azrael walked to Jacob, put his eyes to his face, whispered a few words. “I don’t think.”
The room was not quite a room—such was the case in a modern world where men could move away from evil only to see it in every waking action. The room was just a room. It meant nothing … but it had the gateway, the one it is said God came through the first day Eden was created. Later he came through it and fought a young shepherd named Jacob, who he named Israel, for he had fought with God.
“Send me to the place where all things begin.” Jacob was playing his fingers, still nervous, still wanting to act, but barely holding on.
“Let the books guide you, Jacob. What do you think? You are the detective here.”
“The bible is the only ordered book I can think of at the moment. I say we forget the guiding graces, and send me to investigate Babylon.”
“Azrael?” Richard said, nodding to the angel with his eyes asking for permission.
“Hittites.”
“What?”
“Hittites,” the angel repeated, “have their own form of hell. The language here, on the gate, is directly Hittite. It was based on Babylonian, but only as a starting point. The Hittites formed there own heaven and hell using demon spirits—ones with no relation to Lucipher. I think Quentin is lost, and we cannot hope to find him there.”
“Sounds like a job for me. I would rather fight of some Sumerians than battle Necrom again. Send me in the game coach, I know I can do it.”
“You risk much,” Azrael said, “but I can send you directly to the man who might be able to save Quentin. The jaunt may be hard on your stomach, as it was for Joan, but I trust in the powers borne to me.”
“Then what are we waiting for?” He continued speaking, repeating the football analogy because he thought it applied to the situation. In his heart, everybody wanted to be put in the game.

The place was absent of light. Jacob thought he had been placed in a time before God touched the universe. He was wrong.
He looked outside, fires shooting up into the sky, people walking, screams in the distance. What he couldn’t place, and what any angel detective had to do first, was the time he was in. All he knew was to seek out a man named Saladin. The problem was, even with some languages mastered, few detectives or angels knew how to speak Babylonian, a riddle of a language if ever there be one.
Cautious, as he didn’t want to reveal himself, he approached a modern looking building, walked in, and when Jacob decided he was in the wrong place , a door creaked. It sounded much like thunder, an angel’s scream as Azrael would call it. Jacob turned back, saw a man holding a paintbrush.
“Paint?” He said before he could stop himself. “You’re a painter.” The man replied, but the words came out in a fury of confusion. This man was scared. “Saladin,” Jacob said, “Where is Saladin?”
“Saladin?”
“Yes, Saladin.”
This man pointed to himself. “Saladin.”
“You’re Saladin?”
The man looked more confused when Jacob spoke, but there was little he could do anyways. “Jacob, angel. Do you have angels here?
“Angels…” Jacob said slowly.
He saw the light before it came, dodging the blow while Saladin screamed. The Hittite soldiers crossed the room.
“If there was ever a time for an angel to save me, it would be no—“
The scene changed. The darks were back, the paintings gone, the troubled descendant of Saladin dead on the floor at a certain point in time. He saw, but it wasn’t there. He wanted to see … but he couldn’t.
Azrael grinned.
“I just saw a man die before my eyes. Why the hell did you send me to right before the city was conquered?”
Azrael looked confused. He stepped back, perhaps fearing Jacob planned action. Azrael understood good and evil, but only when it came to angels. He did not understand the vengeful thrusts of man; the ways man could kill each and every fellow who crossed his path. Most importantly, he never understood Necrom—and that was why he had called out for angel detectives.
Richard walked past Azrael, put his arm to Jacob’s shoulder, looked him in the eyes “You know he has no control over that.”
“If he cannot control the movement of time, who does?” Jacob looked at Azrael for a moment, then felt stupid. “Of course, of course …the higher power.”
“What exactly did you see? Azrael said you met the man.”
“I just don’t understand why this man is so important.”
“Saladin was a prophet to his people during the crusades. His ancestors must have played a part in Babylon’s rise. They were the first to fight the Hittites, who are allied to Necrom. We must take action.” He motioned for them to follow him as he walked to the gate. “See these?” he said pointing at heroglyphics on the gate which did not work. “They speak of war, battles across plains, men of different races.
Being an angel detective, all Jacob could think of was how to fix the gate, or, if he had to, fix himself. He cared little for mystery, shaking his head. “I have forgotten more myth than you can divulge to me. We lost a man, that is the point, so how do we get him back?”
Azrael, the archangel God placed to work with Jacob, put his hand up.
“Okay class, what does Azrael have to say?”
“We send you back, to where Saladin is, you tell him what is going to happen, he stops the Hittites before they create their hell and ally with Necrom.”
“Crazy enough to work I suppose,” Jacob said. He walked over to the gate. “Can’t we contact him then, and do one of those “tell my story to everyone” type of deal?”
“You mean have this Saladin pass word of you to the present. It would be changing time. It goes against the laws—“
“I don’t care about the laws. That is the best way to get Quentin back. We destroy the Hittites before they come.”
“Perhaps we change one timeline, but there are infinite more that would still have Quentin lost.”
Jacob put his hand to his face. “All I know is, in this time, a man is lost.”
He walked to a map. “He was a painter. A descendant of one of the greatest Islamic warriors … a painter. How could the bloodline have lived?”

Jacob was back at the small house, in the heart of ancient Babylon. He had a mission: save a man. It would take more than one trip, but his eyes were set on finding out the truth of the situation—for that was what all angel detectives did. Redemption perhaps was what he sought. He had been guided, once, by a sense of discovery. Now he felt justice was the only answer.
Before realizing it, there was a demon flying above him, approaching fast. He did something that went against his nature in one sense but defined him in another—he ran. Many a face peered out at him in with curiosity first—these people of Babylon—as he ran down the street trying to escape that which he knew he could not.
“Freakin’ Necrom and the ghosts and shit.” A blow struck. Jacob was knocked to the ground and looked into the eyes of the demon who practiced killing angel detectives in every situation. It spoke … said something, but Jacob had never been able to understand these demons. It was a mystery he did not care to solve. The beast cut him across the chest, made a mark, tasted the blood, and flew away, its wings moving in earnest, as though Necrom had somewhere else to be.
Jacob looked at his chest, at the mark, but knew he had little time. The Hittites would kill Saladin before he got there … if he did not hurry. He passed a few people, one tried to speak to him, but he just nodded and hopes they would not see his skin color was different than theirs.
He stopped at the doorway. The smell of blood filled his senses--metallic. Then he realized it was his own. Jacob, at that moment, decided being an angel detective did not pay enough of the bills … to travel to different times trying to save ancestors of prophets.
He walked into the Saladin’s home, moving against the walls, feigning stealth, and hoping to surprise the enemy before they came in. He had no idea where they had originally come from; all he could work with was that Azrael could send him back again.
“Quentin,” he said, whispering the name of the man who had left a chaotic world for hell.
Perhaps he should not have spoken. Saladin appeared. Jacob saw fear in his eyes, for when he appeared from behind a canvass, his eyes were wide—like he was expecting death. Jacob walked forward, held his hands up in a sign of peace, but a man began pointing behind the angel detective. He did not care to look back; he jumped forward and reached for a weapon that was not there.
“Jacob. Angel.” The man said, nodding to him. Jacob looked back, saw a group of Hittites, and something that looked like a bow in one of the warriors hands. Their looks were disturbing: each of them was covered in blood, had eyes like drug addicts sick on their vices, and a pure evil that Jacob wished he could not pinpoint. An arrow came … missed.
He opened his eyes, feeling the touch of an angel.
“I brought you out, Jacob,” Azrael said, “you were screaming.”
“He knew my name.”
“What?”
“Somehow he repeated the same words that I said before … Jacob. Angel.”
Richard had a quake of a laugh. “That was a good joke, Jacob. You, the sleuth, play words even as you are brought close to death.”
Jacob pushed Azrael out of the way, grabbed Richard, and stared into his eyes. “I think the jokes fail me at this moment, because I am serious. He knew my name. You must send me back!”
“Jacob, you were screaming; your eyes were tense; you were speaking in a foreign tongue.”
Jacob looked back to the gate. He let go of Richard. “What do we know of the creators of this?”
“Hittites.”
“Do you think they could have been descendants of Saladin?”
“What do you mean?”
“I am not sure quite yet.”
Jacob went out of the room, noting the sky outside. He wished there would be an answer in the landscape of God. Perhaps the holy spirit would show his hand, play a card, do something to guide a detective.
Richard and Azrael followed him out.
“There must be something here…,” Jacob paused. Confused, he threw his hands up. I am an angel detective. Royalty. Kinglike. What am I doing?
“We cannot repeat the same mistakes Quentin did. If he is still alive he runs out of time.”
“You said Saladin knew who you were.”
“Yes. How could he? Azrael took me to one point in history; this is not textbook time travel. Only God allows changes.”
“There are other stories, detective.”
Jacob walked back inside, slamming his fist against the door, yelling curses as loud as he could. Richard put his hand to Jacob’s chest; he noted the mark, and his eyes widened.
“When?”
“Just now. A demon which had to be Necrom.”
“This is the key. How could he be there? And he marked you with this but … I am not familiar with it. Mesopotamian but where?”
“I don’t care.”
He actually hoped a Hittite would attempt to kill him next time. He had a thought of a different nature. “We stop questioning it. The world is full of mystery, so I go back and add to the words Saladin knows until we can reach Quentin in the Hittite hell.”
They agreed. Azrael kept putting his hand in the air when he wanted to say something important. “Did you flunk out? The assignment will be due Wednesday.” Jacob asked him twice. Azrael never really got the joke.
They walked out and Jacob, hungry, wished he had waited. Quentin, he thought to himself, I will find you. This time he watched as Azrael open his wings, revealing a level of time, and took him to the point just outside Saladin’s home.
Babylon invited Jacob in. No demon flyer came across him. He had forgotten the original intent of Azrael’s magic; they had been using the gate before, because using the power of an angel makes certain powers—like Necrom—notice. It allowed them to right wrongs and battle the demon across nightmare worlds … or just simple times where nothing happened. Jacob always liked the latter world.
Saladin continued painting, even when Jacob entered the room..
“How nice,” he said, walking to him, “for you to come at this point in time, always finding me doing something new, always painting the next masterpiece.”
“How?” He put his hand to his face, looking back for the trap to spring, for one of Necrom’s dark angels with a golden spear, ready to run him through.
“Time is no obstacle for prophets of my line. What is it you seek, Jacob?”
Jacob stood there. “Well, I suppose I want to go back in time and talk to a descendant of an Islamic prophet. But my schedule on Mondays is full, so…”
“You seek to confuse me? Sarcasm stretches my wit.”
“Quentin. He is in the Hittite hell. He is of a royal line of angel detectives. He had no sons. If he is to die … his bloodline will be ended.”
“There is more to it than that.” Saladin walked back into the room, finding a red paintbrush. “We are running out of time. The Hittites are at the wall. You will find your man in Ur.”
“What do you mean?”
“The Hittites changed it to—“
A blade caught Saladin. Jacob rushed forward, screamed as he attacked, but an angel’s touch came, and, lost in time for a moment, he let Saladin’s words sink in. Ur?
Azrael let go of Jacob, and the detective fell to the ground.
“Next time, I get a blade.”
“What did you find?”
“Something is wrong with how we are doing this. He knows everything now. He knows of Quentin. He can speak perfect English thousands of years before it came to be. How?”
Azrael raised his hand. Jacob shook his head.
“Yes, Azrael, what does my pupil want?”
“The line is speaking to him. Perhaps these Saladin men truly are prophets. They contact each other. If they believe in a force above them, why can’t they have angels too?”
“It makes so much sense it might be true,” Jacob said and walked outside because he felt like it.
He looked back, through the open door, trying to think. “Ur. If we are to find Quentin, he will be in Ur.”
They conversed. Moving from point A to point B never worked for Azrael. Angels did not have limitless powers; it took time, practice, focus. The best he could do was get Jacob close enough to walk into the city. Jacob made sure to arm himself, as Azrael said the city would already be in Hittite hands. Jacob did not want to fight the Hittites; he wanted to kill as many as possible. He had gained rage.

The outside of Ur contrasted what Jacob envisioned. Jacob saw the Hittites as demons; but they had not burned the city to the ground. The towers of Ur still stood. The water still rushed into it from ancient aqueducts. The people were not screaming for their lives.
Inside, he found the city was empty save the town square. Here there was only a vestige of evil. A man was being beheaded. Jacob walked right into the square, his hand on his blade, a touch of sweat on his brow. He remembered the ancient stories where Hammurabi brought order to Babylon. Scholars said the Hittites had brought chaos, and perhaps, Jacob thought, the Hittites had followed Necrom.
When he saw the man who was about to be beheaded, there was some surprise. The man was white, modern clothes stretched over his tanned body, a minor scar above his eye, blue eyes, red hair in spikes … Quentin. They had yet to kill him. The Hittites circled him, laughing and spitting.
Jacob pulled out his weapon. The blade came out, he felt the cold of the steel, and he prepared.
A loud horn blew. A wind of green came into the square. Riders on horses came and the demons cursed. A massive battle took place and, as Jacob was confused, he grabbed Quentin and took him as far away as possible. He saw the demon flying towards him late, so late it knocked into him and cut a piece of flesh with its blade. “The mark passes through time like a snowflake, “ Necrom said.
Jacob tossed the blade away. Dealing with demons, fighting them, was all about choosing the right weapon from the outset. They had blood; but a blade would not draw it.
Jacob touched the mark on his chest, then the fresh wound, and pushed Quentin behind him. Quentin looked disturbed: his eyes open, his mouth letting out fluid, and he was mumbling some kind of language Jacob had never heard. “What did you do to him beast?”
“It is part of the trial of manhood—become hosts, see, become our beings here, in this world … for death and darkness.”
“But even demons have to keep their hold on reality,” Jacob replied. He took the blade to his chest, to the mark Necrom had left him, and cut deep into it. The demon screamed. Screamed burst into flames. Jacob, in pain, losing blood, fell to the ground. He let himself one more cut before he passed out.

“Jacob. Angel.”
“Saladin.” Jacob looked to Quentin.. Quentin was smiling. The madness had left his face. Jacob was confused until he saw the oil Saladin had placed on his wounds.
“This does not look much like a Hittite hell.”
“They created a hell on Earth,” Saladin said, walking back to his horse.
“Why are you here?”
“I have studied you through the ages. I passed down the knowledge to each of my bodies.”
“Rebirth.”
“In a sense.”
Jacob walked to Quentin, grabbed him, wiping the blood off his face, and sheathed his blade. He looked. Sometimes that was all he liked doing.
“Angel detective, they told me, see the world, make money … never said I would travel to a different version of Earth and a Hittite hell.”
“I will paint you, Jacob. I will tell your story.”
Jacob did not ignore the words; neither did he respond.
“Can I forget?” Quentin said.
A white glow lit them. Saladin, seeming to understand, kicked his horse and began to go back to his world at Babylon—perhaps to finish the painting of Jacob.
A few millennia later, in a small New York Art Gallery, a priceless painting of a young man with a vibrant blond hair, his eyes open in fear and hope, a mark on his chest, a demon flying above him, and two angels setting beside him, was put out not for an auction, nor a show, but just for people to gape it. It defined the job of an angel detective: always looking, never going away.
They called it “Jacob, Angel.”


A Comic Book Writing Journal, The Frequency of 7

A Comic Book Writing Journal, The Frequency of 7
in coffee and heroes – 4/29
by Jacob Malewitz

"7 Samurai" by Akira Kurosawa is one of the finest films ever created. I originally watched it in high school, but definitely did not watch it there. Actually, I grabbed it from the library, sat down, and watched a VHS copy of the story of how one village, hounded by evil doers, needed the help of samurai. And not just any samurai, and not just any number of samurai. The actual Japanese title was different, but the number "7" came from the number of samurai hired by the villagers. These men were odd balls to be sure, some funny, some odd, some disciplined, all with character and life, and portrayed with talent. It's been a few years since I watched the DVD version of Akira Kurosawas film masterpiece, but it's an ever present part of my storytelling process. And by storytelling,I am hinting at comic book writing.

I liked the idea of 7. It could be 7 monsters, 7 beasts, 7 angels, 7 detectives, 7 something. 7 of who were brought together in some odd way.

I chose "7 Killers," which is my first truly decent comic book attempt. It lacks an artist, has a wordy story synopsis, but it's a decent comic. It needs an artist, hello artists out there. I need your help.

I took to the idea of 7 because of "7 Samurai," but I completely reworked the story. These killers were far from samurai--actually one of them thinks of himself as a samurai, the aptly named Katana--because they're in essence hired killers.

Now, where did I get "killers" from? Why does it have to be something "cool" always like secret agents or hitmen? Actually, think John Woo. I to this day watch "The Killer" starring Chow Yun-Fat and directed by John Woo with glee. Oh, I know, the story is a bit suspect, it's no 7 Samurai, but John Woo and Chow Yun-Fat were at the top of their games in this film. It made both their careers in many ways. And it's still the best film both Fat and Woo ever did.

So we got "7 Samurai" and we got "The Killer." Why Asian cinema? I love Hong Kong and much of Japanese cinema. I enjoy anime, I love action, and I like orchestrated gun fights. But not a Jacky Chan fan, sorry.

So you'd think the plot is about as good as a Hong Kong action spectacular, but it took time to mold, took a bit of my own madness to finish, and lasted just long enough for me to hit 4 issues and start thinking of film rights.

A graphic novel isn't an easier form, but it's a form I love. I interviewed novelist Evan Kuhlman years back; he wrote "Wolf Boy,"a hybrid novel involving comics I reviewed for a newspaper. And Kuhlman had an interesting take on comic scripting: he said it's harder than novel writing. Maybe it's the mode you're in, the type of writer you are, the way you put words together. If you prefer screenplays and TV scripts to putting together thousands of words for short stories and a hundred thousand for novels, you might try it.